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Thursday, February 26, 2015

Key Bushing Tightener: One of the most misused tools in the piano tech's case.


The key bushing tightener

In the hands of a tech who knows how and when to use it, such can work miracles. In the hands of a novice, it can ruin keysticks.  It is not meant for wood crushing*; instead, with a light tap to move glued felt in toward the front rail pin to eliminate too much side motion. If this does not do the job, then the keys need to be rebushed with the proper size bushing cloth.

Never should the front rail pins be turned by a tech in the field to eliminate too much side motion! Why not?

Keysticks are not cut, routed and bushed perfectly at the factory. Therefore, the front rail pins are set to allow for even alightment via turning. The rectangular or oval front rail pins afford adequate surface-to-bushing area to stabilize evenly the key during performance.

Since the pins are turned into keybed, and in time, expansion and contraction of wood in tandem with vibration from playing the instrument ensues, pins can (and do) move. The shape of the pin provides an easy way for the tech to turn to the proper position during a regulation with the correct tool.. Wouldn't do so well with a round pin. A flat pin - especially one that's moved - would catch on the bushing.

In virtually all regulations - both uprights and grands - varying numbers of front rail pins have moved - in my experience. The tech can turn the pins to factory specs. If these become loose, then repair is effected. However, if  the tech turns the pins to compensate for too much side-to-side play, the "corners" thereof will wear the bushings away more quickly. Moreover, some pianists have complained that a turned pin creates a rather odd imbalance to the feel or touch. (I concur.) With newer oval plated and polished pins the result may not be quite as bad, however, when turned even these will create enough reduced surface area - in effect, "corners" - that will wear the bushing away faster. Best to bush with correct size cloth and not turn pins to eliminate side-play.

As Ed (RPT) points out: "When the pin is turned, say 10 degrees clockwise, the surface area that touches the felt is reduced since the right side of the felt is only in contact with the rear face of the oblong pin, and the left side is only touching the forward face. This is simple geometry. The wear increases..."

I wholehearted;y agree. The larger issue is the imbalance created by the change in where the pin is contacting the bushing after the pin turn. Many piano players may not notice a change in feel or touch. Some of the really fine pianist might (and have).


A variety of common front rail pins: Various photographic angles.











Piano Service 101

"The front rail pins are
shorter and oval in cross section, and extend
only part way up into the front ends of the
keys...

"Never turn a front rail pin to take up side
play in the bushing. If you turn it, the corner
will wear the bushing away even faster,
aggravating the condition. If the bushing is
bad, replace it."

Reblitz, pp 34, 120. 1993 ed.

*I have seen wood crushed by this tool to such an extent that the wood has fallen out!

Thursday, January 15, 2015

Breakthrough for the disabled: Play the piano without the use of the hands or arms!



Eye Play the Piano is a universal piano system that allows one to play the piano without the use of the hands or arms but simply through the use of sight using the eye tracking head mount device, FOVE.

Sunday, December 28, 2014

So you want to be a concert piano technician? (2)



A great performance by Yuja Wang, but something is amiss. Can you hear it? 

Friday, December 26, 2014

The best time to give your business a boost is last year. The second best time is today!

Piano Promos by Chuck Behm may be just the tool you need to bring some extra shop work your business!



Putting Piano Promos to work for you will:

1. Help you to secure contracts on more of the jobs that you propose!
2. Lead to greater customer satisfaction!
3. Enhance your bottom line, putting your business on a more solid footing!


Contact: Piano Promos

Friday, November 28, 2014

Old guy wearing S&S cap with wifey: What are they looking at?


a.  A guy who just appeared on stage asking: "Is there a piano tuner in the house?"

b. Two piano tuners having shown up are now arguing over who will tune the piano.

c. Bass string broke, shot across the stage, ricocheted off a cello and landed on the conductor's stand.

d. A "Shout House" performance.

e. Basketball game.

Tuesday, November 18, 2014

NY S&S never sounded as good. Superb!



NY Steinway & Sons rebuilt B ca 1940, by Piano Craft.

So you want to be a concert piano technician?



Listen to the cadenza from 4.47 noting especially 10.00 - 10.40 and
the finale from 29.13.

Is this a case of:

a. Pianist in a hurry and playing wrong notes?

b. Piano with unsatisfactory repetition and needs regulation?

c. Pianist exceeding piano capacity?

d. None of the above?

Saturday, November 15, 2014

New duplex scale promises improvement in upper range sound and utility.

Patented "Fully Tempered Duplex Scale" published by World Intellectual Property Organization.

 "Disclosed below are representative embodiments of methods, systems, and apparatus for improving pianos and like musical instruments. For example, in certain embodiments, the improvements are in the structures of the piano (or like musical instruments) that affect the vibratory relationships between the struck string and other segments of said string..."

Read more of this amazing system from American Inventor Edward J. McMorrow:   Patented Fully Tempered Duplex Scale


Fazioli Factory Tour ファツィオリ工場ツア


The rare, innovative Fandrich piano.


Thursday, November 13, 2014

Elderly Atlantic City Icon could lose His family home of 45 years to benefit a Bankrupt Casino



"Charlie’s house is not just a collection of bricks and mortar. It represents decades of memories and close ties to his family. Survivors of the Holocaust, who met in the Polish woods while hiding from the Nazis, his parents came to America after the war. The two were supportive of Charlie and his brother, who were child prodigy pianists. When Charlie was 13, he soloed with the Philadelphia Orchestra. Two years later, he performed in an audition judged by Leonard Bernstein. Over the years, Charlie played at recitals all around the world and later mulled becoming a music professor. But performing in such a competitive field took its toll."

Read the full story in Forbes

Wednesday, November 12, 2014

Piano-tuning maestro.



Piano-tuning maestro Charles Ball has been hitting the high notes for 30 years as the head piano technician in the Butler School of Music. From an early age, Ball has been fascinated by the inner workings of pianos and had dreamed of one day working in music, with a fleet of fine instruments that he would prepare for concert performances.

Monday, November 10, 2014

Fazioli F228 7'6" prepped for performance: Tuned aurally in Equal Temperament






Fazioli F228  7.6 prepped for performance by
 Bob Widding, piano technician,

in
Equal Temperament.

 Recorded before a live audience at the Stella Boyle Smith Concert Hall,
University of Arkansas at Little Rock ca. 2000.

Air with Variations (Harmonious Blacksmith)
from Suite in E Major,
HG II/i/5
G. F. Handel
Julie Cheek, concert pianist




From the CD
Julie Cheek Classical Favorites

Recording engineer:
Grady Trimble




For more information:

www.fazioli.com

www.juliecheek.com